Abracadabra: Using AI to Imitate the Creator

Podcast logos are different from regular branding because they don’t have to work in as many contexts, at least not early on. Much of the skill in logo and identity design is making something extremely flexible. With a podcast that exists only online, you don’t need that level of flexibility. All you need is memorability. Unlike an organization or business, you probably won’t be printing, stitching, or putting your logo on top of other graphics and photos very often. This means your podcast can have a full color photo or graphic with plenty of detail. SO… follow these steps if you want a podcast logo that’s eye catching, memorable, and free. Distill the big idea Decide if it needs to match your church brand Identify who it is for and what they like Feed all that information to ChatGPT and ask it to write a Midjourney prompt that will give you a podcast logo Plug the prompt into your AI image tool of choice Refine the language in your prompt if needed Remember, all you need is memorability, so don’t be afraid to go outside the box!

The Evangelical Press Association just revised its publishing ethics code to account for AI-generated content. Some organizations like The Voice of the Martyrs have stated that they won’t use AI tools in their process whatsoever. Are small churches expected to follow suite? The reality is that AI can save churches huge amounts of time and resources. There are no ethical reasons I can think of not to use it. ChatGPT has made content calendars and meeting summaries a commodity rather than a luxury. Midjourney has made beautiful backgrounds and sermon series graphics readily available. These tools help you tend your brand - use them! Are y’all using AI in your church? Reply and let me know.

In the graphic design world, much of our time is spent on layout. This is because you usually have fixed content, and a fixed space where that content needs to go. If those two variables are set in stone, then it’s up to the designer to solve the Tetris puzzle - how can I fit X content into Y box? Sometimes this is easier said than done. As a brand designer who often continues to help churches “roll out” their new visuals following a rebrand, I want to make things as easy as possible for future Braden. What if we get a space where the logo doesn’t fit, or looks awkward? This comes up quite a bit, and it’s something that can be solved by having an alternate verison of your logo for just such scenarios. The need for a mark to fit into narrow spaces comes up more than you might expect. Lanyards Banners Table runners Outdoor signs Leather belts (just seeing if you’re paying attention) Creating a “wide” version of your church logo means your brand can look and feel comfortable in those spaces that are too narrow for a more squarish mark. The way you do this is pretty straightforward, with some caveats and a couple of bonus tips I’ll share at the end. Unstack multiple lines of text into one line Move the icon to the left or right side of the mark (sometimes it can go in the middle of the words) That’s it! Well, sort of… Below I’ve put an example of how to apply this in practice. Also, if your church does have leather belts with your logo, please stop it. Get some help.

If a church is rebranding, it usually means they’re wanting to start something new. Sometimes that looks like focusing on a younger audience or rewriting the distinctives and core values. But many times, the goal is to create separation from a previous scandal, former leadership, or mission drift. If your goal in a church rebrand is to put the past behind you, you might not consider taking logo inspiration from your history… but maybe you should! In fact, it can be totally appropriate to draw on your history for branding ideas. Here are a few reasons to consider: Your past challenges were leadership-specific Your congregation and community still resonate with the legacy of your church Your church is especially old and its history is genuinely redemptive So what does taking logo inspiration from your church history actually look like? If your church has an archive of historical artifacts and documents, dig around and see if there’s anything interesting. You'd be surprised at how many times a simple artifact or document has been the inspiration for a killer logo design. Keep your eyes peeled for things like: Stamps and seals Building illustrations or paintings License plates Hand-made items Articles of formation Items that were important to the founding members/pastor I’ve personally seen all of these in a church archive at one point or another. And at the end of the day, you’ve gathered a greater appreciation for the legacy of your congregation, even if you don’t find something to integrate into your brand. P.S. If a rebrand is intended to create separation from the your past (especially a painful one) then drawing visual inspiration from that same past can send mixed signals. Even if the intentions are good (e.g., honoring long-time members or heritage), using symbols, colors, or design language tied to a difficult era can unintentionally reinforce what you’re trying to move past.

If you have a creative streak (or if you read this publication), you might occasionally notice the design choices made by your favorite brands. Think Apple, Nike, Chase Bank, etc. A majority of brand marks for the last several decades have followed a pattern when it comes to their logos: Abstract icon to the left, word mark to the right. However, nobody said you have to follow suit. In some cases, it’s perfectly appropriate to skip the abstract logo icon and go straight to a stylized word mark. This is a great approach when you have a short, unique name. That also means you’ll struggle if your church is named “First Baptist” or “Periwinkle Avenue Presbyterian Church.” Here’s a great example of a brand that leaned into their name with a strong word mark: Smirk - It’s clever, no? ;) Despite “icon-first” being the common approach to logo design in the corporate world, a well-crafted wordmark - like the one shown above - can bring a wealth of creativity and meaning to your brand, all on its own. Bonus Way: Monograms A second way to draw inspiration from your church’s name is to stylize and customize the first letter, also known as a monogram. Monograms have been around for centuries, so it makes sense that they would continue to be an effective means of identification. The monogram approach also helps with brand recognition because it stands for something very concrete: your church’s name. P.S. The tricky part about monograms is that they usually need a word mark to go with them. This puts you back at having a dualistic logo, except now the first letter of your church’s name gets repeated in the monogram and the word mark, which could be problematic.

If your church is aiming for a culture of permanence and community engagement, something unique about your city or region is a great place to get visual inspiration that can be incorporated into your brand. Many churches try to be “for the city.” But how can they show this in a more tangible way? The answer is borrowing an element of their environment that identifies them as belonging to that unique location. Maybe your city in California or Florida is known for a particular species of palm tree. Maybe your county in Kansas has the largest export of corn or wheat in the U.S. Maybe your region in the northeast is known for its fishing culture. Maybe your town has a unique layout from an aerial view You can see why research is such a critical part of the logo design and branding process. You probably won’t know about golden tidbits of inspiration like this until you do some digging. If I discover something like this while helping a church rebrand, I’ll experiment with visual motifs that fit their target aesthetic. Usually that looks like a subtle nod to the city through a color or integrated shape, but occasionally I’ll be more overt. Whether or not you end up finding a specific piece of visual inspiration that’s pure gold, there’s a good reason to do this research anyway: You’ll learn more about your city and community, making it easier to resonate with them in the other parts of your branding.

We often think of form and function as a dichotomy. Sacrificing beauty for efficiency is putting function over form. Making something sleek and attractive at the cost of performance is putting form over function. Here’s my hot take: The form-function dichotomy is wrong. Form and function are two sides of the same coin. The name of the coin is elegance, or more simply “goodness.” And God saw everything that he had made, and behold, it was very good. — Genesis 1:31a We don’t assess beauty in a vacuum. If a thing doesn’t accomplish its purpose, can it be beautiful? The Roman aqueducts were built with masterful craftsmanship and still stand to this day, 2000 years later. They transported millions of gallons of water over a hundred miles, making them extremely functional. But would they be beautiful if they didn’t work? If a thing’s only purpose is to be beautiful, does it matter if it can do anything else?

Okay, so the title is a little hyperbolic. But picking colors really is one of the most mysterious and notional aspects of branding. That’s why today I want to help demystify this part of a church rebrand. Demonstrating intentionality is arguably the most important part of any church rebrand, and that applies not just to color but to every design choice. If you can show a proven, meaningful process was used, it can generate tremendous buy-in and overcome objections. In this post, I’ll overview that proven, meaningful process. We’ll look at where to find good colors and how to harmonize them, ultimately creating a pleasing, God-glorifying palette. A color palette built with this process is hard to argue with! Where to Find Good Colors The short answer is: in God’s created world! I recently was listening to this podcast episode about color, painting, and art (not as boring as it sounds). The guest, Forrest Dickinson, talked about how Scottish tweed makers will go out into the countryside, capture a swatch of colors from their environment, and use those colors in their designs. What’s stopping us from doing the same thing? Find or take a photo of your church building, its surroundings, or something in your environment that fits the aesthetic you’re going for. This is going to be your reference image. How to Harmonize Your Church Colors Color is light. And much like sound, it has different wavelengths that represent different parts of a spectrum. When those wavelengths align in certain patterns, they harmonize. A great place to start is by choosing what I like to call “Core Colors.” Your core colors are the duo, trio, or quartet that glue your whole brand together. Start by choosing a light and a dark. This could be white and black if you’re going for a very bold and edgy vibe. I like to choose an off-white or pastel from the highlights in my reference image and a dark color from the shadows. Then, choose one or two more saturated colors between your light and dark in terms of brightness. These should be more vibrant and pop a little more. Type out your church name in a Word Doc or in Canva. Make the background one color and the text another color from your core color palette. Try different combinations for the text and background. Is the text readable in most of them? If not, you may want to adjust the values until they have better contrast. If you follow these steps, you’re more likely than not to come up with a pleasing, Christ-honoring harmony of colors that will be functional in print and digital spaces! Try it for yourself.