Brand Marks Your Church Needs: The Wide Logo

A side adventure I’ve had for the last two years has been bringing Oklahoma Trading Cards to market. But this week, that adventure almost ended abruptly. Turning photos of iconic landmarks into a product for sale, we knew we needed to be on our toes when it came to copyright. We thought all our ducks were in a row until we stumbled on a goose; a very aggressive goose who was not happy about his trademarked pop bottle sign being featured. We thought we were in the clear, but trademarks are tricky things. Now we have to negotiate with the business owner on how to compensate him and whether we need to stop our sales. At the time of writing, we’ve sold them all over Oklahoma so it’s no small matter. If you’re taking inspiration from a well-known or iconic image of any kind for your church, check the trademark database and avoid the headaches we’re going through now.

No, not that kind. I’m talking about a crest or circular mark that adds a level of class to your overall brand. You might think, “Isn’t a seal something you press into wax on a scroll or an envelope? I can’t see our church needing something so… outdated?” I’ll grant that. Seals and crests have been around a long time. But their oldness is exactly what makes them such a useful form for a logo to take. For almost every organization, and certainly for a church, there are times when you want to present yourself with a bit more formality. Pop quiz: You‘re greeting someone you know. Do you…? A. Give a short nod B. Embrace them with a warm hug C. Offer a firm handshake The answer is, it depends on the context! Some situations call for a nod, others a hug, and depending on where you are, neither of those things might be appropriate. The logo seal is the firm handshake of visual branding. Having this brand mark in your arsenal is tantamount to elevate your brand for settings where more formality and gravity is required.

I’ve encountered confusion when I provide multiple versions of a logo for a rebrand project, especially regarding the scaled-down or “mini” version. Why do we need this one? Shouldn’t the main logo be just fine? It’s understandable. Designers love to be nitpicky and anal about things. And most logos can work at small sizes (ish). But you want to elevate your brand above just “good enough” right? The thing to understand about “mini” versions of a logo is that they solve a very specific problem: Most logos with any kind of complexity will start to lose their detail or integrity at a certain size when scaled down. Beyond that point (usually around 1in on the longest dimension), linework starts to appear thin, gaps begin to plug up, and the logo loses its presence. Every medium for rendering an image or a shape into the real world has its limitations. Digital screens are limited by pixels. Ink on paper is limited by the dot size and density. Embroidery is limited by thread and needle size. Laser etching is limited by tolerance in the machinery and surface material. I could go on with this list, but it’s actually not necessary that you understand these different techniques. The critical idea is this: Relative size matters more than anything else. Every medium comes with logo limitations. Relative size is what matters most. For a sunglasses company, they need at least a version of the logo which works in the tiny space on the stem of a pair of sunglasses. For a food truck with no website or merch to speak of, the logo can be more complex, and is only limited by what can be printed on a vehicle wrap or a menu. For most churches, having a website is enough of a reason to have a logo optimized to fit in that little square provided by the browser tab (usually called a “favicon”). It’s a common practice for many churches and other organizations to have a mini logo, and it’s why I recommend all of my clients use the mini version I provide them in their branding package. If you ever anticipate getting the logo embroidered on a hat, embossed on a journal, or printed on a lanyard, you will probably need a simplified brand mark.

Sometimes we need to be confronted about how bad a situation really is. It’s too easy to develop blind spots over time, and your branding isn’t an exception. Like an untended vine, it can quickly get out of control. So here are ten warning signs that you might need help reigning in that branding. You cringe when you hand out a business card or flyer Your social media pages all have a different profile picture You have to hunt for your main logo file on a regular basis There are more than 3 fonts used on any given flyer, banner, or bulletin You don’t have the original HEX codes for your core colors Outdated materials and web pages still surface every few months to haunt you You’re seeing more unofficial logos than official ones used in the wild Your staff or volunteers don’t feel equipped to make the church “look good” online Your website, wayfinding, and bulletin look they’re from three different eras You’re constantly reinventing visuals, changing styles, or revising logos because nothing sticks If several of these sound like you, it might be time to consolidate and clean up. Or, it might be that you’re transitioning, and you need to start from scratch with a new and fresh look as you start this new chapter. Either way, consider getting professional help. I work with churches specifically to solve those problems with their branding. Contact me here, and we’ll talk about what it looks like for me to help you design an identity that reflects your God-given vision and lasts for decades.

I love magic. I’ve probably watched movies like the Prestige and the Illusionist more times than most people. But I recently learned the origins of a phrase that magicians love to say: “Abracadabra.” It comes from the Ancient Aramaic phrase, “Avra Kedavra,” meaning “I create as I speak.” We worship a God who is creative, the first sentence of the Bible tells us. But how does he create? We find out in the following verses that he does so with his speech. Words are how the God of the universe chose to express his creativity. We get to imitate his creativity using our own words. And it’s easier to do this now than ever. Because of AI, we live in a time where anyone can create anything - pictures, video, and interactive experiences - using just words. It feels like magic. With such a powerful tool at our disposal, should we not meditate on how this can be used to create things that will honor our Creator?

If a church is rebranding, it usually means they’re wanting to start something new. Sometimes that looks like focusing on a younger audience or rewriting the distinctives and core values. But many times, the goal is to create separation from a previous scandal, former leadership, or mission drift. If your goal in a church rebrand is to put the past behind you, you might not consider taking logo inspiration from your history… but maybe you should! In fact, it can be totally appropriate to draw on your history for branding ideas. Here are a few reasons to consider: Your past challenges were leadership-specific Your congregation and community still resonate with the legacy of your church Your church is especially old and its history is genuinely redemptive So what does taking logo inspiration from your church history actually look like? If your church has an archive of historical artifacts and documents, dig around and see if there’s anything interesting. You'd be surprised at how many times a simple artifact or document has been the inspiration for a killer logo design. Keep your eyes peeled for things like: Stamps and seals Building illustrations or paintings License plates Hand-made items Articles of formation Items that were important to the founding members/pastor I’ve personally seen all of these in a church archive at one point or another. And at the end of the day, you’ve gathered a greater appreciation for the legacy of your congregation, even if you don’t find something to integrate into your brand. P.S. If a rebrand is intended to create separation from the your past (especially a painful one) then drawing visual inspiration from that same past can send mixed signals. Even if the intentions are good (e.g., honoring long-time members or heritage), using symbols, colors, or design language tied to a difficult era can unintentionally reinforce what you’re trying to move past.

If you have a creative streak (or if you read this publication), you might occasionally notice the design choices made by your favorite brands. Think Apple, Nike, Chase Bank, etc. A majority of brand marks for the last several decades have followed a pattern when it comes to their logos: Abstract icon to the left, word mark to the right. However, nobody said you have to follow suit. In some cases, it’s perfectly appropriate to skip the abstract logo icon and go straight to a stylized word mark. This is a great approach when you have a short, unique name. That also means you’ll struggle if your church is named “First Baptist” or “Periwinkle Avenue Presbyterian Church.” Here’s a great example of a brand that leaned into their name with a strong word mark: Smirk - It’s clever, no? ;) Despite “icon-first” being the common approach to logo design in the corporate world, a well-crafted wordmark - like the one shown above - can bring a wealth of creativity and meaning to your brand, all on its own. Bonus Way: Monograms A second way to draw inspiration from your church’s name is to stylize and customize the first letter, also known as a monogram. Monograms have been around for centuries, so it makes sense that they would continue to be an effective means of identification. The monogram approach also helps with brand recognition because it stands for something very concrete: your church’s name. P.S. The tricky part about monograms is that they usually need a word mark to go with them. This puts you back at having a dualistic logo, except now the first letter of your church’s name gets repeated in the monogram and the word mark, which could be problematic.

If your church is aiming for a culture of permanence and community engagement, something unique about your city or region is a great place to get visual inspiration that can be incorporated into your brand. Many churches try to be “for the city.” But how can they show this in a more tangible way? The answer is borrowing an element of their environment that identifies them as belonging to that unique location. Maybe your city in California or Florida is known for a particular species of palm tree. Maybe your county in Kansas has the largest export of corn or wheat in the U.S. Maybe your region in the northeast is known for its fishing culture. Maybe your town has a unique layout from an aerial view You can see why research is such a critical part of the logo design and branding process. You probably won’t know about golden tidbits of inspiration like this until you do some digging. If I discover something like this while helping a church rebrand, I’ll experiment with visual motifs that fit their target aesthetic. Usually that looks like a subtle nod to the city through a color or integrated shape, but occasionally I’ll be more overt. Whether or not you end up finding a specific piece of visual inspiration that’s pure gold, there’s a good reason to do this research anyway: You’ll learn more about your city and community, making it easier to resonate with them in the other parts of your branding.